CLOUDS
In 1796
Luke Howard1 and his fellow Quaker William Allen became members of
the Askesian Society, a philosophical group.
Two years later the pair joined the Plough Court Pharmacy in Lombard
Street.2 In 1801 Howard
started to maintain a systematic record of his meteorological
observations. During the winter of
1802-3 he presented a paper on cloud formation to the Society. This almost certainly drew upon the Linnean
classification system. In 1803 the
material was published as On The Modifications of Clouds. This set out the three principal categories: cirrus
(the Latin for a lock of hair ), cumulus ( a pile ), and stratus
( a layer ). In addition, there were
also intermediate classifications and compound modifications.
In 1805
Howard and Allen dissolved their business partnership. The former moved to Stratford where he
established a wholesale pharmaceuticals business as well as supplying chemicals
to industry. His customers included the
scientist, John Dalton. Howard s The
Climate of London (1820) was the first study of the city s weather. He used the work to expound innovative ideas
on subjects such as how rain is triggered and what the nature of atmospheric
electricity is. The two-volume work
changed the way in which clouds were represented in art.
Website:
www.tottenhamclouds.org.uk
1. The painter Howard Hodgkin
(1932-2017), a kinsman of Luke Howard, was named after him.
2. The Plough Court Pharmacy had been
founded in 1715 by Silvanus Bevan. Under
the control of the Hanbury family, the business evolved into Allen &
Hanbury, which was bought by Glaxo Laboratories in 1958.
Artistic Impact
Titian
had a capacity for being able to make paint appear to be light. He was a notable painter of weather. His clouds seemed to be moving and changing;
they encapsulated the way in which his works engendered an appreciation of a
change that was about to occur.
The
painter John Constable referred to Titian s Diana and Actaeon (1559) by
incorporating a tree from it in The Hay Wain (1821). There is a high degree of probability that
Constable s skyscapes came to be informed by The Climate of London.
The Cloud Factory
London s
clouds used to be made principally at Didcot Power Station in Oxfordshire. Once made, the prevailing westerly winds
would blow them over the metropolis. The
fact became known to the general public after the poet Roger McGough overheard
a small child refer to the cloud factory as the train that they were both
travelling upon passed the facility.
The
coal-powered facility closed in 2015.
Alternative arrangements for cumulus production appear to have been put
in place by then.
See
Also: ELECTRICITY GENERATION & SUPPLY
Literary Impact
Howard s
work prompted Percy Bysshe Shelley to write the poem The Cloud (1820).
The
German writer and polymath Goethe (1749-1832) had been working on the subject
of morphology and was deeply impressed by Howard s writing. He wrote a letter to Howard, who initially
assumed that one of his friends must be teasing him. Eventually, he was convinced that it was
Goethe who had written to him and replied.
Goethe felt moved to write his poem Howards Ehrenged chtnis
(1821) (In Honour of Howard).
Location:
15 Poland
Street, W1F 8PR. Shelley s residence. (red, turquoise)
David
Backhouse 2024