ENTERTAINMENT,
DISAPPEARED
See Also: CINEMAS, DISAPPEARED OR REPURPOSED; CIRCUSES, DISAPPEARED; LANGUAGE & SLANG Polari; MUSEUMS, DISAPPEARED & LATENT; MUSIC HALL; MUSIC
VENUES, DISAPPEARED; NIGHTCLUBS,
DISAPPEARED; PLEASURE
GARDENS; POP & ROCK; THE PRUSSIAN PROFESSOR; VISITOR ATTRACTIONS, DISAPPEARED; ROMAN REMAINS; WILLIAM
SHAKESPEARE Shakespeare Globe; THEATRES, CLOSED OR DISAPPEARED; MENU
Almack s Assembly Rooms
William
Almack kept a tavern at No. 49 Pall Mall.
He created an environment in which gentlemen were happy to convene. In 1765 he established Almack s Assembly
Rooms in King Street.
The
Rooms tenor was established by Almack setting up a committee of titled ladies
that determined who might or might not be admitted to the Rooms weekly
balls. For several decades after its
opening, the Rooms furnished one of the principal venues in which aristocratic
social life was conducted in London.
Amongst those who were refused entry to it on particular occasions were
the Prince Regent, who was held to have arrived too late to be admitted, and
the Duke of Wellington, who was judged to be too informally attired. In the 1830s the Rooms began to fall out of
fashion.
Location:
Almack House, 28 King Street, St James s, SW1Y 6AR (purple, orange)
See
Also: CLUBLAND Brooks s; HORSES Rotten Row; TOWNHOUSES Lancaster House
Carlisle House
Teresa
Imer was Venetian-born singer, who enjoyed a moderately successful performing
career. During the winter of 1745-6 she
appeared at The King s Theatre. In the
1750s she used her personal charms to promote her material well-being and
settled in London. At the time, she
could not speak English. She received
financial help both from Casanova, who believed himself to be the father of her
daughter Sophie, and from the Dutch merchant Jan Cornelis Ringerboos, whose
middle name she modified and assumed as a surname.
Cornelys
planned to organise subscription assemblies.
She secured the backing of a number of aristocratic women. In 1760 she took a lease on Carlisle House in
Soho Square. That autumn she began to
stage her entertainments began. She used
the building to host balls, concerts, and masquerades. The events became increasingly splendid. All the while, she was in a race to stay
ahead of her increasing debts. In 1771
she dabbled in staging operas. However,
she promptly discovered that the opera house and theatre managers were quick to
defend their vested interests. The
failure of this venture stimulated her creditors to press their claims for her
to pay them. The finances of Carlisle
House collapsed in upon themselves. In
1772 Cornelys was declared to be bankrupt.
Once her financial affairs had been settled, she was assigned a 200
annuity. She remained full of ideas for
schemes right up until her incarceration in the Fleet Prison for debt.
Location:
21a Soho
Square, W1D 3QP. (St Patrick s Church now occupies part of the
site.) (purple, turquoise)
See
Also: ITALIANS Eighteenth-Century Transients; OPERA
The Clink
From
the early 12thC to the early 17thC, the Bishops of
Winchester had their London palace on Bankside.
The land surrounding the building had ecclesiastical privilege and thus
were unaffected by the restrictions that had been put in place by the City of
London and Surrey magistrates. To raise
money for the diocesan coffers, the prelates stewards allowed various place of
entertainment to be set up on the palace s grounds. These availed themselves of its
immunity. Among the Bankside
entertainments were brothels. These were
regulated by the bishops ordinances. In
the 16thC Southwark prostitutes were known as Winchester
geese . King Henry VIII (d.1547)
banished the gaggle.
The
last prelate to live at Bankside was Lancelot Andrewes (d.1626). Following the restoration of the monarchy in
1660 the property was restored to the diocese but by then the palace had become
so dilapidated that the land was leased out to building speculators.
Location:
Clink Street, SE1 9DG
See
Also: BEARS Bear
Pits; DISTRICT
CHANGE Strand; LIBERTIES; LOCAL GOVERNMENT Cambridgeshire; PRISONS, DISAPPEARED The Clink Prison; PROSTITUTION; TOWNHOUSES Lambeth Palace
The Hottentot Venus
Saartjie
Baartman (d.1815), a 21-year-old Khoisan woman, was brought to London in
1810. Dressed in a flesh-coloured
leotard, ostrich feathers, and African beads she was displayed in the
exhibition rooms on Piccadilly. Her
voluptuous body prompted some scientists to speculate about the rapacious
sexual appetites of savages.
She was
acquired by the owner of the Palais Royal in Paris, who concluded that she was
worth more dead than alive and so allowed her to drink herself to death. Her corpse was sold to the Museum of Natural
History in Paris.
A cast
of Baartman s body, her skeleton, pickled genitalia and brain were put on
display in Paris s Mus e de l Homme in 1816. The exhibit was taken down and placed in
storage in 1976. In 2002 her remains
were returned to South Africa.
Location:
225 Piccadilly, W1J 9HR
Pantomime
Pantomime s
roots lay in the 17thC.
Joseph
Grimaldi
Joseph
Grimaldi (1778-1837) was born into a dynasty of clowns. His father was appointed the ma tre de
ballet at Drury Lane. The father s
mental instability often manifested itself in cruelty. This may have derived from syphilis. Grimaldi made his first stage performance at Sadler s
Wells in 1781. He was aged
two-and-a-half.
Pantomime
was a mixed theatrical form composed of slapstick, ballet, specialised variety
acts. During the Napoleonic Wars it
became Britain s favourite form of entertainment. It was performed year-round and contained the
real possibility that performers would be badly injured during a performance.
Commedia
dell arte had four principal characters: the clown, the columbine, the
harlequin, and the pantaloon. Grimaldi s
performances led to the clown eclipsing the other three.
In 1806
Grimaldi appeared in the Thomas Dibdin-written Harlequin and Mother Goose. 300,000 tickets for the show were sold. Thereafter, Grimaldi was courted by
celebrities, such as Lord Byron. His
name was used to promote the sale of a wide variety of manufactured goods.
Grimaldi
created Joey. The character s curving
eyebrows and rouged cheeks became the classic clown make up. The inerasable, wide grin was intended to be
clearly visible from the back of the theatre.
The character was in large part born out of childhood trauma.
Grimaldi
required his physical comedy to be physically realistic. As a result, his body sustained severe
chronic injury. By the time that he had
reached his mid-forties his spine was curved and his legs could barely support
him. He was also the archetype of the
sad clown. His first wife died after a
year and a half of marriage. His son by
his second marriage, Joseph Samuel, died of alcoholism.
Location:
Grimaldi Park, 11 Collier Street, N1 9JU
Roller Skates
In 1760
Joseph Merlin, a native of Li ge, who was connected to the Spanish ambassador,
demonstrated a pair of roller skates.
While doing so he ran into a 500 mirror, which shattered.
In 1819
roller stakes were patented. Four years
later the old tennis court in Windmill Street was converted into a skating
rink.
Location:
11 Princes Street, W1B 2LJ (red, yellow)
The Royal Aquarium
The
Royal Aquarium s lease was acquired by Lillie Langtry. She had the building refitted lavishly. The first play that opened in the theatre
closed after a few days. The Methodist
Church acquired the building. The
interior was taken out and subsequently installed in the Imperial Palace cinema
in Canning Town. The building burned
down in 1931.
Location:
19 Dunraven Street, W1K 7DF. The home of Langtry during
the 1870s. (blue, brown)
Methodist Central Hall, Storey s Gate, SW1H 9NH (blue, pink)
21 Pont
Street, SW1X 0AZ. Langtry s home. (blue, red)
See
Also: COURTESANS Lillie Langtry
Siffleuse
Beatrice
Harrison was a cellist who lived at Oxted in Surrey. She took to playing in her garden in the
evening. Sometimes a nightingale would
accompany her. In 1924 news of this
phenomenon reached producers at the B.B.C. and a decision was made that there
should be a live broadcast. The
musician agreed to the proposal and an hour-long slot was designated. She started to perform at 9 p.m.. It was only at two minutes to ten that
listeners heard the bird join in. It
proved to be a sensation with the listening public. A decision was made to repeat the event the
following year.
The
programme makers had undertaking a degree of research about nightingales. They had concluded that there was a risk that
when they installed their equipment in Miss Harrison s garden, they might upset
it. Therefore, they had had a
back-up. The bird song that had been met
with such pleasure had been created by Madame Saberon, who was a siffleur, a
professional bird imitator.
When
the broadcasts were undertaken subsequently the recording equipment was put in
place more discreetly. Nightingales did
sing in answer to the music.
The Talk of The Town
Robert
Nesbitt was the principal creator of The Talk of The Town
theatre-restaurant. The venue was very
glamorous. There would be dancing to
three separate orchestras. At eleven
o clock a major contemporary singer or entertainer would perform. It is probably most renowned for hosting
five-week-long run of concerts by Judy Garland s that proved to be her final
U.K. shows. Some nights she was rude to
the audience. Some members of it
responded by throwing bread rolls at her.
She took a liking to the venue s guard dog Rex and took it to stay with
her in The Ritz hotel.
Location:
Cranbourn Street, WC2H 7JH (blue, pink)
Watkins s Folly
Sir
William Watkins created the Metropolitan Line and Marylebone Station which was
the London terminus of the Great Central Line, its track stills runs to
Birmingham.
Watkin s
Folly (site - marsh because River Brent).
Location:
Wembley Stadium, South Way, HA9 0WS
See
Also: UNDERGROUND LINES The Metropolitan Line
Wrestling
In the
1960s and 1970s non-sport wrestling in the South of England was run by the
Brixton-based firm Dale Martin. Mick
McManus (n William Matthews) (1920-2013) was for some years the
company s matchmaker. He determined who
would fight whom and what the result would be.
David
Backhouse 2024