crossorigin="anonymous"> THE PARTHENON MARBLES

THE PARTHENON MARBLES

 

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In 1687 Ottoman forces in Athens used the Parthenon as a gunpowder dump. Venetian gunfire caused this to explode. As a result, the building and its sculptures were severely damaged.

The Elgin Marbles are a collection of sculptures and architectural details that were salvaged from the ruin. At the start of the 19thC the 7th Earl of Elgin was the British government's Envoy Extraordinary at Constantinople. In a private capacity, he bought the Marbles from the Ottoman authorities. The peer returned to Britain and, after years of bargaining, sold the stones to the British Museum in 1816.

Byron witnessed the removal of the Marbles from the Parthenon. He disliked his fellow peer. He referred to him in his poem Childe Harold's Pilgrimage (1812).

 

Let Aberdeen and Elgin still pursue

The shades of fame through regions of Virtu;

Waste useless thousands on their Phidian freaks,

Mis-shapen monuments, and maimed antiques;

And make their grand saloons a general mart

For all the mutilated blocks of art.1

 

The Marbles have been the cause of a long-running dispute between the Museum and the Greek government. The latter believes that the Marbles belong in Greece, while the former states that, in international law, it has full and clear legal ownership of them.

It is commonplace to find people in Britain who would be happy to see the Marbles returned to Athens. An uncommented aspect of the matter is that through the relative mobility of people of Greek cultural identity during the travails of the 20thC, a large proportion of modern Athenians - if not the majority - are descended from people who would have regarded Classical Athens as either their enemy or their oppressor.

The Classical Athenians were generous and inclusive towards one another. However, their culture was essentially xenophobic with regard to anyone who was not of their number. A massive vein of silver-bearing ore was discovered Laurium close to Athens in 484 B.C..2 The state's citizens voted to use the resulting wealth to invest in their navy.3 This new military strength was used to operate a ruthless de facto protection racket against non-Athenian Greeks. This compounded the income from the mines and enabled the Acropolis to be enhanced in a magnificent manner. During the Parthenon s construction many Athenians voiced their opposition to what they regarded as being the excessive grandeur of the structure. Historically, it had been a widely held view amongst the citizen body that conspicuous consumption could have adverse social consequences. This opinion was reflected by the fact that their state had a set of sumptuary laws on its statute book.

In the early 19thC the southern portion of what is now Greece became an independent state; this was achieved with the support of Britain, France, and Russia. Many of those who fought for the cause, such as Laskarina Bouboulina (1771-1825), were neither ethnically nor culturally Greek. They were Arvanites who spoke Arvanitika, their own distinct language. They were descended from Albanians who from at least the 14thC had settled much of of the Greek mainland that had become depopulated, e.g. Attica.4 In his book La Gr ce contemporaine (1854) the French writer Edmond About (1828-1885) was to describe the Athens that he had visited as being an Albanian village.

Prince Otto of Bavaria became the new nation's first monarch; he Hellenised his name to become King Otho. The German arrived in the country in 1833. From the time of Goethe onwards the German culturati gad been preoccupied with trying to identify what had gone wrong. They always bore Classical Greece in mind as an ideal time. The new monarch was accompanied by a group of Bavarian advisers. Initially, it was this circle that directed the state's affairs. In large part, these men had been shaped by the Classical instruction that they had received as children and youths. Under their guidance, Greece set herself upon a course of trying to recreate something of the glory of 5thC B.C. Athens. Therefore, the Parthenon became a symbol of Greek identity in a way that it had not been before. This development was an instance of informal colonialism deriving from the nature of education in Western Europe rather than being a case of native cultural self-expression.

As Otho's reign progressed, his subjects began to chafe at the Bavarians domination of their political life. A decade after the king had ascended to the throne, there was a coup d tat. The monarch continued as the nation s sovereign but his counsellors were ousted from power. However, the idea of trying to recreate something of the grandeur of the Periclean era was not jettisoned. The colonialist concept metamorphosed into being a derivative nationalist one. However, even at the time, to many ethnic Greeks this would have appeared to have been profoundly anachronistic. For examples of contemporary Greek cultural and commercial dynamism they would have looked to the Levantine cities of Alexandria, Constantinople, and Smyrna.

Website: www.britishmuseum.org/about-us/british-museum-story/contested-objects-collection/parthernon-sculpture

1. Canto ii, Stanza 15, Line 1.

2. In the early 20thC the mines were still being worked.

3. The Athenian state effective killed Socrates, prompting Plato to leave the city. He travelled through the Greek speaking world. During a stay in Syracuse he had dealings with the tyrant Dionysius II that he did not enjoy. Upon returning to Athens he opted not to enter politics but rather to devote himself to philosophy. In The Gorgias Plato critiqued the way in which individuals could use rhetoric to manipulate the demos to their own ends rather than seeking to establish the truth.

4. Arvanites also established communities on some of the Aegean islands, such as Hydra.

David Backhouse 2024